On Fossil Culture two giants of European electronic music join forces. Richard Pinhas' sustained, instantly recognizable guitarwork & processing blends with Peter's dark synthetic vision to come up with a sound that is recognizably the work of both of these distinctive musicians, yet still has it's own character. Compelling, demented and downright evil, this is probably the closest we will get to hearing Richard doing a new version of the classic Heldon sound, with heavy synthetic rhythms propelling his guitar work forward.

Peter Frohmader's official website

Cycle Of Eternity straddles the boundries between the menacing works of his past, and a more spacier side. Despite it's less intense nature, it still has that "bite" that you expect from him.

"...a brilliant achievement, highly recommended to any fan of electronic music, past or present. Play it loud and often." - Goldmine

While heavily electronic, on Macrocosm Peter uses many other instruments, and the end result here is much closer to recent Art Zoyd than space music.